Some of my friends and I share music to listen to while we work. Sometimes we rate/review what gets shared with us and share those reviews with the group.
This is the third week of my uncle’s in-person version of this game and they’re doing Fleetwood Mac’s Rumors, so I’ll be updating my review of that.
I, however, have been super busy with work, taking time off, and such, so am only sharing with you a single (and perhaps some other songs for context) for the third week in a row.
I have a goal of recording 12 original songs this year, and in the past month or so been working on writing some of those songs, and am trying to be very conscious of some of the influences on my music. These three songs I’ve shared all fall on that list for various reasons.
Don McLean’s Flight of Dragons (1982)
This is, perhaps, the oddest pick on the list.
Perhaps because of the Tolkien movie, I’ve been on a bit of a Middle-Earth kick lately. I was introduced to that world in 4th grade, when my teacher would read to us from The Hobbit after lunch recess. Soon after, I discovered the Rankin/Bass (yes, the Christmas claymation people) productions of The Hobbit and The Return of the King, as well as the trippy Ralph Bakshi version of The Fellowship of the Ring (which they simply called The Lord of the Rings). If you haven’t seen them, I recommend finding them.
After that, I read the books and was excited for (and a little disappointed in) Peter Jackson’s adaptations. I recently took the nine hours of his extended edition of The Hobbit movies and edited them down in to a single five hour film (the first part got down to two hours, and the second and third parts each got cut in half).
And then I discovered this … gem from 1966:
What I really wanted was to share the soundtrack to The Return of the King featuring ’60s folk legend Glenn Yarbrough of The Limelighters. The highlight for me, and the reason I put it on my list of inspiration, was because of the song the orcs sing as a disguised Frodo and Sam march with them across Mordor:
It inspired the bridge of an otherwise Heart-, Peter Frampton-, Pearl Jam- and Deep Purple-esque tune. Continue reading