It’s an Easy Thing to Do

For almost a year now, some of my friends and I have been sharing an album with one another, partly for exposure to new music and partly to give us something to listen to while we work, etc. We’re supposed to review it, rate it, and share those reviews/ratings with one another as well, but that doesn’t always happen.

The Funky 16 Corners (2001)

For the first time since my friends and I have been sharing music, we have a compilation album. Apparently Spencer showed this album to me 10 years ago, but I don’t remember that.

But this isn’t your typical compilation. These guys weren’t even one-hit wonders. They were nobodys. These tunes are from the ’60s or ’70s. This album pays homage to forgotten American funk.

Continue reading

Resonate in Tones of Saving Grace

For almost a year now, some of my friends and I have been sharing an album with one another, partly for exposure to new music and partly to give us something to listen to while we work, etc. We’re supposed to review it, rate it, and share those reviews/ratings with one another as well, but that doesn’t always happen.

Richard and Linda Thompson – I Want to See the Bright Lights Tonight (1974)

I didn’t catch on until I looked this album up to start listening to it that Spencer had shared an album from the ’70s. When he emailed us this suggestion, I thought it was a modern duo, like The Civil Wars or The Weepies. I was wrong. Continue reading

Gather Up the Lost and Sold

For almost a year now, some of my friends and I have been sharing an album with one another, partly for exposure to new music and partly to give us something to listen to while we work, etc. We’re supposed to review it, rate it, and share those reviews/ratings with one another as well, but that doesn’t always happen.

Unlike the week when we shared stuff our parents introduced us to, this isn’t a band either my wife or I introduced to the other. And while it does have a little significance in our relationship, it’s mostly just a band we both love. Before I get to what my wife shared, Chris got his wife to participate:

Radiohead – The King of Limbs (2011)

Why am I not surprised Chris’ wife shared Radiohead? I’ve only met her a couple of times, and while I know couples don’t always have similar tastes in music, it seems like spouses have a big influence on one another’s tastes. My wife and I have a big overlap, and it’s getting bigger, but there’s still stuff that one of us likes that the other doesn’t exactly care for.

I’ve come to accept that bands like Radiohead are either loved or hated, and aren’t many people who feel something in between. I definitely think their older stuff is better than their newer. This album was a wonderful blend of textures and atmosphere, but I have a hard time calling a lot of this, in a broad sense, pop rock music. It’s definitely not traditional music. It feels more like a soundtrack than an album. Although what kind of movie would have a score like this, I’m not sure. Continue reading

The Same Unfunny Jokes

For almost a year now, some of my friends and I have been sharing an album with one another, partly for exposure to new music and partly to give us something to listen to while we work, etc. We’re supposed to review it, rate it, and share those reviews/ratings with one another as well, but that doesn’t always happen. This week one guy was in Disneyland. I don’t know what was going on with anyone else, but the result was only I shared music with anyone.

Chumbawamba – Tubthumper (1997)

Yeah, I went there. This, along with a couple of Elvis compilations, was one of the first CDs I ever bought. Or maybe asked one of my parents to get it for me for christmas or my birthday.

Anyway, this is their ninth studio album, although it was their first release on a major label. Continue reading

Each Time, It’s Different

For almost a year now, some of my friends and I have been sharing an album with one another, partly for exposure to new music and partly to give us something to listen to while we work, etc. We’re supposed to review it, rate it, and share those reviews/ratings with one another as well, but that doesn’t always happen.

Grizzly Bear – Yellow House (2006)

When Chris shared this album, he said it had a very rustic, almost ghostly feel to it – the audio equivalent of looking at an old-timey black and white photo.

I don’t know if it feels quite that old to me, but it at times it does feel very much like late ’60s/early ’70s psychedelic folk rock. But only at times. Most of the album was simply well done modern indie folk rock. Continue reading

Cut Me Down to Size So I Can Fit Inside

If you’ve read my blog at all in the last nine months or so, you know why I’ve been sharing what I have. Every week, some of my co-workers and I have been sharing some of our favorite music with one another. Except, they’re not my coworkers anymore.

And we’re supposed to review it, rate it, and share that with one another, but that doesn’t always happen.

grammyAnd I was going to share one thing this week, but since The Grammys were last weekend, Chris beat me to the punch and shared an Album of the Year winner. So we’re going with that theme this week.

So, first of all, let’s tackle the Grammys for just a second. I don’t think much of them. It’s a fun honor, and a pretty big footnote on Wikipedia, but the Grammys rarely reflect the true “best music of the year.” I know, that’s a subjective opinion, but I feel like the Grammys (well, all award shows do this, really) consistently choose from a limited pool of mainstream artists, and then predictably choose the safe choice. But it doesn’t mean what they choose is bad. In fact, most albums that get nominated are very good. But they’re predictable. Safe. Boring. Some prefer that, I suppose. I just think it’s the mainstream patting itself on the back. I think – at least for artists, musicians, etc. – that doing what you do and doing it well is more important than trying to do what everyone else thinks you should do. I think things like the Country Music Awards are a better idea. But even genre specific awards may still not be the best idea. And if people still want a showdown between the best-in-class, then we can have a Grammy shootout show.

But I don’t want to get into a rant, so I’ll move on.

I was surprised how few of the Albums of the Year (Album of the Years?) I’ve enjoyed. The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band is one, of course. But while it may have been a huge deal when it was released, I don’t think it’s their best work. They had other albums nominated that didn’t win: Help!, Revolver, Magical Mystery Tour and Abbey Road. You know what I think of Abbey Road, but I also think Help! and Revolver are better than Sgt. Pepper. And Magical Mystery Tour is kind of an even wash.

And we’ve already covered some during the course of our little game, like Carol King’s Tapestry, Stevie Wonder’s Songs in the Key of Life, Fleetwood Mac’s Rumors, the O Brother, Where Art Thou? soundtrack, and Mumford and Sons’ Babel. Unless you want to count nominees, too, in which case Don McClean’s American Pie, Lady Gaga’s Born this Way, John Mayer’s Continuum, the Grease soundtrack, Macklemore & Ryan Lewis’ The Heist, Radiohead’s In Rainbows, Sam Smith’s In the Lonely Hour, and MC Hammer’s Please Hammer Don’t Hurt ‘Em are also on our list.

There are others I thought about sharing, but most of my Simon and Garfunkel listening has been greatest hits. Same with Crosby, Stills and Nash – although they were only ever nominated and never won.

That leaves the Alison Krauss & Robert Plant collaboration, Raising Sand, and one other – which I ultimately shared because I think it’s less likely to get shared, as well as in hopes that someone else will share Raising Sand. But first, the other suggestions.

Beck – Morning Phase (2014)

Beck is a musical chameleon. He can convincingly make folk, rap, dance, electronic, or rock, and sometimes fuse them all into one song. Not only that, but he convincingly portrays a wide range of emotions too – humorous, subtle, wacky, sad, happy, euphoric, thoughtful and occasionally heartbroken.

Sometimes he gets in a certain mood, and decides to make an album full of a focussed sound. And that’s what Morning Phase is: a desert folk album primed for road trips. Continue reading

When the Sun Comes Out

If you’ve read my blog at all in the last 9 or so months, you know why I’ve been sharing what I have. Every week, some of my co-workers and I have been sharing some of our favorite music with one another. We’re supposed to review it, rate it, and share that with one another – but that doesn’t always happen.

Raphael Saadiq – Stone Rollin’ (2011)

I’m not sure what I was expecting, but this wasn’t it. If he and Fitz and the Tantrums toured together, I’m not sure I could miss that show. Or, I’d be sad if I did.

It starts strong, ends strong, and although it’s not filled with stuff I love, it’s mostly strong through out. It all sounds pretty simple musically, but it’s got groove. It is, for the most part, a great blend of soul and funk. Continue reading