For a few years, some of my friends and I have been sharing music to listen to while we work. We’re supposed to review/rate what gets shared with us then share those reviews with the group, but that doesn’t always happen.
Regina Spektor – Far (2009)
Four years, and I’m still realizing there are some artists we’ve never shared. Continue reading →
For a couple of years some of my friends and I have been sharing music with one another. We review/rate what gets shared with us, and share those reviews with the group.
This week, we did something different. We tried an audio review; a pilot podcast episode.
Editors – The Back Room (2005)
There’s something about his voice I can’t pin down that reminds me of some more famous late ’90s/early ’00s alt. rock band. I’m not sure I nailed it exactly, but I’d say they’re kind of Tonic meets The Strokes meets Foo Fighters meets David Bowie meets The Bravery. And (I didn’t realize this until after we recorded) the late Chris Cornell. Continue reading →
If you’ve read my blog at all in the last 9 or so months, you know why I’ve been sharing what I have. Every week, some of my co-workers and I have been sharing some of our favorite music with one another. We’re supposed to review it, rate it, and share that with one another – but that doesn’t always happen.
The Strokes – Room on Fire (2003)
This is garage rock all grown up. It’s a short, controlled burst of no-nonsense rock and danceable grooves. They are one of those bands where every element is distinguishable and tight. Two guitars tag team around a very capable rhythm section, while singer Julian Casablancas’ howl matches their distortion. It’s real rock n’ roll swagger. At least most of the time. Continue reading →