Live the Life You Please

For a couple of years, some of my friends and I have been sharing music. We’re supposed to review/rate what gets shared with us then share those reviews with the group, but that doesn’t always happen.

Dave Chisholm – Instrumental (2017)

Tim found this at Salt Lake Comic Con this year. This is the soundtrack to Dave Chisholm’s second graphic novel (he has a music background, and teaches at a conservatory in New York, so he has the musical ability as well as artistic storytelling), and each track is a chapter in the book. It’s about a guy with a trumpet that plays the most amazing music, but when he does someone dies. I’ve heard Scott Pilgrim and Jem and the Holograms are some of the best comics about music, so I’d love to see how this comic compares to those. You can check out all of Dave’s stuff at his website. Continue reading

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The World Will be as One

For a couple of years some of my friends and I have been sharing music. We’re supposed to review/rate what gets shared with us, and share those reviews with the group, but that doesn’t always happen.

John Lennon – Imagine (1971)

I wasn’t really planning this. Since nobody else shared anything the week I shared a solo George album, I just started listening to a bunch of their solo stuff. And since nobody shared anything last week either, I just kept listening to ex-Beatle solo albums. Continue reading

The One Who Imagined it All

For a couple of years some of my friends and I have been sharing music. We’re supposed to review/rate what gets shared with us, and share those reviews with the group, but that doesn’t always happen.

George Harrison – Somewhere in England (1981)

Much like before they broke up, after The Beatles broke up, George and Ringo never seem to get the attention they deserve. John got the most coverage. Paul still has a decent career, but I like George’s solo material the most. Continue reading

I Got Your Meaning Between the Lines

For a couple of years some of my friends and I have been sharing music. We’re supposed to review/rate what gets shared with us, and share those reviews with the group, but that doesn’t always happen.

I know it was Memorial Day this week, and while I could have gone with an album with a topically relevant song, I didn’t want to make a theme out of it. So I went another direction. But first, here’s what my friends had to share:

Queen – The Game (1980)

Tim shared another Queen album. Queen has been shared more than any other artist in the past two years we’ve been playing this game. This is their seventh album he’s shared in that time (not counting the Freddie solo album). And Tim is sure to share more. Plus, Bohemian Rhapsody is the most shared song. Aside from the studio and live versions, it has also shown up in music videos and mixes. Continue reading

Cut Me Down to Size So I Can Fit Inside

If you’ve read my blog at all in the last nine months or so, you know why I’ve been sharing what I have. Every week, some of my co-workers and I have been sharing some of our favorite music with one another. Except, they’re not my coworkers anymore.

And we’re supposed to review it, rate it, and share that with one another, but that doesn’t always happen.

grammyAnd I was going to share one thing this week, but since The Grammys were last weekend, Chris beat me to the punch and shared an Album of the Year winner. So we’re going with that theme this week.

So, first of all, let’s tackle the Grammys for just a second. I don’t think much of them. It’s a fun honor, and a pretty big footnote on Wikipedia, but the Grammys rarely reflect the true “best music of the year.” I know, that’s a subjective opinion, but I feel like the Grammys (well, all award shows do this, really) consistently choose from a limited pool of mainstream artists, and then predictably choose the safe choice. But it doesn’t mean what they choose is bad. In fact, most albums that get nominated are very good. But they’re predictable. Safe. Boring. Some prefer that, I suppose. I just think it’s the mainstream patting itself on the back. I think – at least for artists, musicians, etc. – that doing what you do and doing it well is more important than trying to do what everyone else thinks you should do. I think things like the Country Music Awards are a better idea. But even genre specific awards may still not be the best idea. And if people still want a showdown between the best-in-class, then we can have a Grammy shootout show.

But I don’t want to get into a rant, so I’ll move on.

I was surprised how few of the Albums of the Year (Album of the Years?) I’ve enjoyed. The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band is one, of course. But while it may have been a huge deal when it was released, I don’t think it’s their best work. They had other albums nominated that didn’t win: Help!, Revolver, Magical Mystery Tour and Abbey Road. You know what I think of Abbey Road, but I also think Help! and Revolver are better than Sgt. Pepper. And Magical Mystery Tour is kind of an even wash.

And we’ve already covered some during the course of our little game, like Carol King’s Tapestry, Stevie Wonder’s Songs in the Key of Life, Fleetwood Mac’s Rumors, the O Brother, Where Art Thou? soundtrack, and Mumford and Sons’ Babel. Unless you want to count nominees, too, in which case Don McClean’s American Pie, Lady Gaga’s Born this Way, John Mayer’s Continuum, the Grease soundtrack, Macklemore & Ryan Lewis’ The Heist, Radiohead’s In Rainbows, Sam Smith’s In the Lonely Hour, and MC Hammer’s Please Hammer Don’t Hurt ‘Em are also on our list.

There are others I thought about sharing, but most of my Simon and Garfunkel listening has been greatest hits. Same with Crosby, Stills and Nash – although they were only ever nominated and never won.

That leaves the Alison Krauss & Robert Plant collaboration, Raising Sand, and one other – which I ultimately shared because I think it’s less likely to get shared, as well as in hopes that someone else will share Raising Sand. But first, the other suggestions.

Beck – Morning Phase (2014)

Beck is a musical chameleon. He can convincingly make folk, rap, dance, electronic, or rock, and sometimes fuse them all into one song. Not only that, but he convincingly portrays a wide range of emotions too – humorous, subtle, wacky, sad, happy, euphoric, thoughtful and occasionally heartbroken.

Sometimes he gets in a certain mood, and decides to make an album full of a focussed sound. And that’s what Morning Phase is: a desert folk album primed for road trips. Continue reading